| Nak Tarhu This design makes the sound characteristics of the Tarhu available to players of traditional instruments that use the left-hand fingernail to fret the string (these include Cretan Lyra, Indian Sarangi, Turkish Fasil Kemenche, Bulgarian Gadulka, Rajasthani Sarinda etc) Like all tarhus, the Nak Tarhu has a strong, rich and clear sound capable of great breadth in tone colour variations. |
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MP3 Sound Samples
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Models There
are now two different construction methods being employed for Nak Tarhu,
either turned wood or hand-beaten brass.
The
neck and extended head are carved from one piece. A hardwood fingerboard
is glued onto the neck, forming a channel between the neck and fingerboard
for the sympathetic strings. String
length is variable depending on musicians requirements. 29cm ( lyra length) Stringing Nak tarhus are usually made with 5 playing strings. The strings are all cello strings, with the same string-set used as for a 5 string cello (on cello, E, A, D, G, and C). A variety of tunings are possible, depending on the vibrating string-length and personal preferences. Sympathetic strings are of plain steel in a range of gauges. These strings sound best if the tension is kept low, which also means that breakages are very uncommon. The sympathetic strings are usually tuned to whichever scale is being played, or alternatively to a selection of chromatic notes when the music played involves a lot of modulation. |
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